“But this is the year we’re going to do it. That script is getting worked on as we speak… —
Marc Guggenheim (x)
I was going to end that previous post with “Everything is looking up for my ladies!” but I hadn’t heard any promising Felicity-centric news. Now I can. Sara, Laurel, Thea, and Felicity — everything is looking up for my ladies!
ngl, SUPER EXCITED about this possible new brotp with Oliver and Laurel
This is what I want. I want them to be friends! Actual friends with a working relationship.
Everything I’ve head about season 3 so far is good news. An episode entitled “Sara.” Sara in at least 3 episodes. More info about the league of assassins. Flashback with Tommy! Not to mention Thea primed and ready for a transformative arc. Laurel actually in the loop. After the great season 2 finale, I thought Arrow had set itself up for its best season yet. These teasers give me hope that’s the case.
Laughter is the shortest distance between two people. —Victor Borge
You’re goddamn right she did.
Repeat after me, folks: romantic plotlines don’t ruin female characters.
A female character isn’t weak because she has normal human emotions. She isn’t anti-feminist because she has vulnerabilities. There’s a difference between a female character existing entirely to be in love with the male character and a female character who happens to have a romantic subplot as part of her story.
It isn’t feminist to insist that female characters have to be “badass” unfeeling robots, detached from absolutely anything considered “feminine,” including, apparently, emotions. Sure, we don’t want female characters to be damsels in distress, but swinging in the other direction, to cardboard-cutout-badass-making-quips, isn’t much better. Good female characters appear human. And sorry, romance-haters, but love is a part of that.—
ZOMG READ IT. REEEAAADDDD IT!